Tuesday, 28 December 2010
Friday, 10 December 2010
Saturday, 4 December 2010
Monday, 15 November 2010
Sunday, 7 November 2010
Saturday, 6 November 2010
Untitled post (Marina Abramović)
Matthew Stone: How has durational work, transformed you?
Marina Abramović: We live thinking about the past or thinking about the future, but somehow, we always miss the point of being in the present. Performance is about the present. When you are really in the present, time doesn’t exist. That is a very important realisation I have had. I also realised that we are surrounded by universal knowledge, which is always there and accessible, except that we never choose to receive it. By not moving and not thinking and being in the present this knowledge is revealed. The only way to really communicate these realisations is through experience. The only way to experience it is through long durational work. So actually in the end the artist, needs time, to get to a space where there is no time.
Matthew Stone: And how can the audience best experience these realisations?
Marina Abramović: The audience have to give themselves unconditionally to experience it. During my performance at MoMa “The Artist Is Present” there was an enormous participation of the audience. You sit on the chair and look at me, but after a while, it’s not me anymore. I am just the trigger for you to introspect yourself.
Matthew Stone: Why do you think that it takes you to place yourself in the centre doing nothing to instigate this in others?
Marina Abramović: You, in your own life, can do this, but you don't. You make any excuse not to face yourself. But in this situation, there was no escape, you only focus on my eyes and then my eyes disappear too. You are alone with yourself. No time, no thinking. Everything is together. So many people went into a kind of catharsis and became incredibly emotional. I had these hells-angels types, who came to me suspicious and angry. But after ten minutes they cry like a baby and completely lose themselves.
Via Dazed Digital
Friday, 5 November 2010
Untitled post
Matthew Stone: How do you define an artist?
Karley Sciortino: Artists are not special or worth more than any other person. They are simply those that have come to be conscious of the fact that every action is creative and can be beautiful in some way. The mindful choices that they make not only define their own lives, but shine like happy, truth-loving stars, born to illuminate and inspire the lives of those that encounter them.
Via Optimism As Cultural Rebellion - Karley Sciortino interview
Karley Sciortino: Artists are not special or worth more than any other person. They are simply those that have come to be conscious of the fact that every action is creative and can be beautiful in some way. The mindful choices that they make not only define their own lives, but shine like happy, truth-loving stars, born to illuminate and inspire the lives of those that encounter them.
Via Optimism As Cultural Rebellion - Karley Sciortino interview
Thursday, 4 November 2010
Friday, 13 August 2010
Ecclesiastes
The work emphatically proclaims all the actions of man to be inherently "vain", "futile", "empty", "meaningless", "temporary", "transitory", or "fleeting," depending on translation, as the lives of both wise and foolish men end in death.
What has been will be again,
what has been done will be done again;
there is nothing new under the sun.
"Meaningless! Meaningless!"
says the Teacher.
"Utterly meaningless!
Everything is meaningless."
What has been will be again,
what has been done will be done again;
there is nothing new under the sun.
"Meaningless! Meaningless!"
says the Teacher.
"Utterly meaningless!
Everything is meaningless."
Monday, 9 August 2010
Untitled post
Death is a type of space, which we intend to map, enter, colonise and, eventually, inhabit.
Friday, 6 August 2010
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